Liquidation Maps (2014) by Yin-Ju Chen in “Occulture: The Dark Arts” at City Gallery Wellington, New Zealand.
On view August 12 – November 19, 2017
Yu Cheng-Ta’s latest film project Tell Me What You Want (2017) at Hong-gah Museum, Taipei, Taiwan.
On view July 29 – September 17, 2017
Tai (2017) by Yu Cheng-Ta in “ARENA” at Taipei Fine Arts Museum, Taipei, Taiwan.
On view July 08 – September 17, 2017
Jawshing Arthur Liou’s Kora (2011-12) in “State of the Art: Discovering American Art Now” at Frist Center for the Visual Art, Nashville, USA.
On view May 26 – September 10, 2017
If the (Island’s) Body Is a (Marginalized) Rice Dumpling Par Excellence (2017) by Yu Cheng-Ta in “Broken Spectre” at Taipei Fine Arts Museum, Taipei, Taiwan.
On view July 1 – September 17, 2017
Lessons of the Blood (2004-2010) by James T. Hong & Yin-Ju Chen in “The South: An Art of Asking and Listening”, curated Manray Hsu at Kaohsiung Museum of Fine Arts, Taiwan.
On view June 3 – September 17, 2017
Tate Modern presents a weekend retrospective of Japanese-American brothers Bruce and Norman Yonemoto.
On view January 20 – 22, 2017
Tsui Kuang-Yu’s single-channel video work Rubbing the City: Beautiful Dirty Bubble (2012) in “Elsewhere in Nowhere” at Kunsthalle Exnergasse, Vienna, Austria.
On view January 19 – March 4, 2017
Notes on Psychedelics (2015) by Yin-Ju Chen in “The Man Who Never Threw Anything Away” at Times Museum, Guangzhou, China.
On view January 8 – February 19, 2017
Ventriloquists : Liang Mei-Lan and Emily Su (2009) by Yu Cheng-Ta in “Polyphonies” at Project Room, Centre Pompidou, Paris.
On view October 19, 2016 – January 23, 2017
Action at a Distance (2015) by Yin-Ju Chen in “No Such Thing As Gravity” at FACT, Liverpool, UK.
On view November 15, 2016 – February 5, 2017
Extrastellar Evaluations (2016) by Yin-Ju Chen in “A Dialogue Concerning the Two Chief World” at CFCCA, Manchester, UK.
On view October 21 – January 15, 2017
