Awakenings: Art in Society in Asia 1960s–1990s

"Awakenings: Art in Society in Asia 1960s–1990s" at Singapore National Gallery

Wang Jun-Jieh’s early work “Face/TV” ( 1989), “How History Was Wounded” (1989; in collaboration with Cheang Shu Lea), Chang Chao-Tang’s “Banqiao” (1962) and Chen Chieh Jen’s “Dysfunction No. 3” (1983) are exhibited at Singapore National Gallery for last stop of “Awakenings, Art in Society in Asia 1960s-1990s.” The Exhibition is co-organised by National Gallery Singapore, the National Museum of Modern and Contemporary Art, Korea and the National Museum of Modern Art, Tokyo and the Japan Foundation Asia Center. Awakenings draws connections across Asia through over 150 artworks by important artists from China, India, Japan, Taiwan, Korea, Hong Kong, Singapore, Malaysia, Indonesia, the Philippines, Myanmar, Thailand and Cambodia. Exhibition starts from 14 Jun to 15 Sep 2019.

Wang Jun-Jieh at the National Museum of Modern Art, Tokyo

Wang Jun-Jieh’s early work “Face/TV” ( 1989) and “How History Was Wounded” (1989; in collaboration with Cheang Shu Lea) will be exhibited at The National Museum of Modern Art, Tokyo. 

This international exhibition “Awakenings: Art in Society in Asia 1960s–1990s” is a collaborative project among the three national museums of Japan, Korea and Singapore continuing the legacy of the 2005-2006 “Cubism in Asia” exhibition. 

Chang Chao-Tang’s “Banqiao” (1962) and Chen Chieh Jen’s “Dysfunction No. 3” (1983) will also be presented in the exhibition.