Sin Wai Kin​, formerly known as Victoria Sin (b. 1991) currently lives and works in London, UK. 

Sin Wai Kin using speculative fiction within performance, moving image, writing and print to interrupt normative processes of desire, identification and objectification. Drawing from close personal encounters of looking and wanting, their work presents heavily constructed fantasy narratives on the often unsettling experience of the physical within the social body.

Sin Wai Kin has participated in many important exhibitions, festivals and biennials, including: British Art Show 9 (2021-2022); BFI London Film Festival (2021); “Age of You”, MOCA, Toronto (CA, 2019); “La vie des chose”, MOMENTA biennale de l’image, Montreal (CA, 2019); “Kiss My Genders”, Hayward Gallery, London (UK, 2019); “Display”, Dortmunder Kunstverein, Dortmund (DE, 2019); “Meetings on Art”, The 58th Venice Biennale, Venice (IT, 2019); “Rising up in the infinite sky”, “Sophia Al-Maria: BCE”, Whitechapel Gallery, London (UK, 2019); “DO DISTURB”, Palais de Tokyo, Paris (UK, 2019); “General Ecology – PLANTSEX”, Serpentine Galleries, London (UK, 2019); “If I had the words to tell you we wouldn’t be here now”, Chi-Wen Gallery, Taipei (TW, 2019); “DRAG”, Hayward Gallery, London (UK, 2018); “The sky as an image, an image as a net”, Serpentine Park Nights, London (UK, 2018); “Swinging Out Over the Earth”, Whitechapel Gallery, London (UK, 2018); “Indifferent Idols”, Taipei Contemporary Art Center, Taipei (TW, 2018); “Block Universe”, Brunel Museum, London (UK, 2018); “A View From Elsewhere”, Café Oto, London (UK, 2018); “We Share the Same Tears”, Whitechapel Gallery, London (UK, 2018); “Glitch Feminism”, ICA, London (UK, 2017); “TATE EXCHANGE: GENDER TALKS”, Tate Modern, London (UK, 2017).